Theater / performance art / opera / storytelling

Curtain Call: John A. Logan’s The Twenty-fifth Annual Putnam County Spelling Bee

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John A. Logan College

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Who: John A. Logan College Humanities Department
What: William Finn, Rachel Sheinkin, and Rebecca Feldman’s The Twenty-fifth Annual Putnam County Spelling Bee (live theater)
Where:
When: 2013-05-02 - 2013-05-05
The John A. Logan College Department of Music invites students of all ages and alumni alike to take
Jeff Hale
Video Comentary

The John A. Logan College Department of Music invites students of all ages and alumni alike to take a trip back to the carefree days of learning with William Finn, Rachel Sheinkin, and Rebecca Feldman’s Tony Award-winning The Twenty-fifth Annual Putnam County Spelling Bee. The musical play takes place Thursday through Sunday, May 2 through May 5 in the college’s O’Neil Auditorium.

Directed for the O’Neil Auditorium stage by Nathan Arnett, The Twenty-fifth Annual Putnam County Spelling Bee is the comical and reflective tale of sixquirky, angst-ridden teenageoutsiders vying for the spelling championship of a lifetime.

On the dramatic brink of puberty’s onset, the cutthroat competitors areoverseen byequally hilariously high-strunggrownups who barely managed to escape childhood themselves. What these unlikely heroes learn is that winning isn’t everything and that losing doesn’t necessarily make them losers. As an added dose of fun, audience members are occasionally invited to join the contestants in what has become one of the world’s best known spelloffs. The resulting outcome is much more than a spelling lesson for audiences.

The Thursday show takes place at 10 a.m. Friday and Saturday performances begin at 7:30 p.m. The Sunday afternoon matinee starts at 2 p.m.

Purchased tickets in advance by calling (618) 985-2828ext. 8287 weekdays between 8 a.m. and 4:30 p.m. For more information, visit <http://www.jalc.edu>.

who: John A. Logan College Humanities Department

what: William Finn, Rachel Sheinkin, and Rebecca Feldman’s The Twenty-fifth Annual Putnam County Spelling Bee (live theater)

where: O’Neil Auditorium

when: Thursday through Sunday, May 2 through May 5

Curtain Call: RuPaul's Drag Race Favorite Chad Michaels

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Two 13 East

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Who: Chad Michaels
What: drag show
Where:
When: 2013-05-04
Chad Michaels become known nationwide for the sassy, glamorous, and fun-filled performances that gar
Jeff Hale
Video Comentary

Chad Michaels become known nationwide for the sassy, glamorous, and fun-filled performances that garnered her a second-place finish on season four of Logo’s top-rated reality competition show RuPaul’s Drag Race and the title of winner on RuPaul’s Drag Race All-Stars. What fans of the show may not know, however, is that Michaels has brought full-blown fabulousness to live audiences across the country for more than two decades. One of the world’s premier impersonators of Cher, Michaels has not only channeled the world’s favorite diva, but has actually shared the stage with the one-name wonder herself.

Southern Illinois audiences will get a chance to see that behind all the makeup, glamour, and sequins, there is, well, more makeup, glamour, and sequins when Michaels performs Saturday, May 4 at Two 13, joined by Akasha Royale, Janessa Highland, Holly Haliwell, and Carbondale club legend Blanche DuBois.

Currently producing for and performing with California’s long-running female-impersonation show, The DreamGirls Revue, Michaels went on to support her Drag Race family by participating as Professor Chad Michaels in the third season of RuPaul’s Drag U.

Not many years ago, drag performers, if recognized at all, were limited to small stages in underground clubs and bars. Michaels, thanks to RuPaul’s Drag Race and its various incarnations and tours, is taking the art of drag to audiences in areas of the world where such performances would once have been considered objects of ridicule. In a recent interview with Nightlife, Michaels said that Carbondale audiences should not only expect the same glamour and excitement that were her Drag Race calling cards, but also a lot more surprises. Most of all, they should expect to spend time with a performer who truly loves and is grateful for fan support.

“My show in Carbondale will of course include my impersonation of Cher,” Michaels told Nightlife. “I’ll will be thankfully forever bound to the diva, and my fans expect to see her when I come to town. I never disappoint my peeps! I will also bring some other drag delights for the crowd to feast on, followed by a meet-and-greet, my favorite part of the evening. I love to meet my fans and give a little back to those who have supported me so faithfully.”

Michaels gives credit to RuPaul’s series for bringing her exposure to nationwide audiences, and says the experience pushed her personal and professional endurance to its limits, raising the bar of excellence for the career she enjoys today.

RuPaul’s Drag Race was a life-changer in many ways,” Michaels says. “It was truly a test of endurance and determination. I really wanted to see how I would fare in a shark tank, so it was kind of a personal journey for me to see what I am made of. I think the biggest reward is being able to tell one’s story during the course of the competition and positively affect people’s lives. The queens of RuPaul’s Drag Race are given the responsibility and the opportunity to influence and inspire. That is a great honor and one I do not take for granted. I think the changes to my life after Drag Race could never have been anticipated.”

Michaels says that although she is a little uncomfortable with being called a role model, the Logo shows and their positive portrayals of gay people have done much to inspire pride, not only in herself, but in the gay community as well.

“The most positive part of the RuPaul’s Drag Race experience has been the fans and knowing that in many ways I’ve helped some people out in their lives,” Michaels says. “The drawback is that the responsibility can be heavy at times. I’ve received emails from people contemplating suicide, being bullied, ending relationships, et cetera— very serious business. It is important and sometimes stressful to come up with the right response. Many people look to us as role models and it is paramount to me to live up to that expectation.”

While drag performance was once thought of as something only to be enjoyed by its core audience, and to be largely ridiculed by the rest of society, the success of RuPaul’s Drag Race tells Michaels that the world is more ready than ever for a new light to be shed on the art form and a community that has long stood in the back-alley shadows of entertainment’s spotlight. Michaels feels it is now time for the queens and kings of drag to step into the light and take their place in the entertainment royal court. She praises RuPaul and Drag Race for playing a part in that transition.

RuPaul’s Drag Race has bridged the gap,” Michaels says. “People now get to see us as real people with lives, emotions, and hearts. The taboo, the veil, has been lifted from drag, and the beautiful disaster is there for all to behold. I think people are surprised and sometimes shocked to see how similar we all are no matter what road we walk in life. That is the beginning of understanding.”

Even when it brings fame and fortune, Michaels confesses that the constant rigors of impersonating others (in addition to Cher, she plays Celine Dion, Reba McEntire, Joan Crawford, Bette Davis, and Marilyn Manson), can tire a performer. Some of her favorite Drag Race moments were when she got to be herself, and credits the show for allowing her that freedom.

“My love of celebrity impersonation has faded a bit, to be honest,” Michaels says. “After all these years of being someone else, I am enjoying being understood and appreciated for being Chad Michaels as opposed to Chad Michaels as Cher. Although Cher has been the love of my career and my number-one diva, my talents and needs as an entertainer extend far beyond just impersonating Cher. People now know what I am capable of after observing me for two seasons of RuPaul’s Drag Race and my creativity has really been set free in a sense.”

Still, Michaels’s impersonation of Cher has endeared her to audiences. But how does Cher herself feel about her number-one fan’s mirror image of her? And what of the other celebrities who make appearances in Michaels’s live shows?

“I met and opened for Cher in 2003 at a function put on by music mogul David Foster,” Michaels says. “She is, of course, everything, and treated me like a queen. The others, I don’t know, and to be honest, don’t really care. Her opinion is really all that matters. If Faye Dunaway would have one thing to do with Mommie Dearest, I would love to hear her review on my Joan Crawford tribute, though.”

Michaels says the impact of mainstream-television portrayals of gay characters are exciting, and there is hopefully much more to come in the future.

“Gays and gay performers have run this business for decades, and mainstream is starting to realize that,” Michaels says. “People are starting to understand and accept all aspects of the gay lifestyle and the social climate is becoming much warmer. The hetero community seems obsessed with RuPaul’s Drag Race, and during the course of their journey watching the show, they are coming to not only understand us, but love us and want to know more. Things are looking up. Our final battle is the institution of our equal civil rights as GLBTs in American society. That is coming quickly, to, I hope.”

For more information, visit <http://www.ChadMichaels.com>.

 

who: Chad Michaels

what: drag show

where: Two 13 East

when: Saturday, May 4

 

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Who:
What:
Where:
When:
You needn’t be a Philip K. Dick scholar to know that something’s hinky in Oblivion. In the opening s
Bryan Miller
Video Comentary

You needn’t be a Philip K. Dick scholar to know that something’s hinky in Oblivion. In the opening scene, as last man on earth Jack (Tom Cruise) is delivering a lengthy bout of plot exposition via voiceover narrative, he casually mentions that five years ago “for security reasons” he and his partner had their memories erased.

It’s immediately apparent that Jack isn’t who he thinks he is, and his job may not be what he thinks it is, either. What he believes is that he and his assigned wife Victoria (Andrea Riseborough) are the last two people on the planet Earth. Decades before, an alien invasion and subsequent war left the planet blasted, irradiated, and largely uninhabitable. The surviving humans were shipped off to a new colony on Titan, one of the moons of Saturn. The fuel source of their fusion energy is Earth’s remaining seawater, which is being sucked up into massive floating machines that require maintenance and protection from the handful of alien stragglers. Victoria runs the command center they share as a home and acts as a liason to their boss (Melissa Leo) living in a space station above, while Jack patrols the planet repairing drone robots that ferret out the remaining aliens.

Jack is hesitant to complete his mission, which means that he will leave Earth, which still feels like his home. So he spends his days hanging around the blasted ruins of the Pentagon and Yankee Stadium, as well as milling around a cabin he’s built for himself in one of the few verdant, bucolic locales still thriving.

When he investigates a crash-landed shuttle and does battle with a drone to save the life of a sexy astronaut (Olga Kurylenko) he recognizes from his dreams, Jack begins to question his purpose. His suspicions are further magnified when he runs across an underground society of humans led by flinty old man Beech (Morgan Freeman).

Oblivion borrows heavily from Philip K. Dick, but also James Cameron, Stanley Kubrick, and Ridley Scott. Very little about Oblivion is particularly original or surprising, but writer/director Joseph Kosinkski (Tron: Legacy), working from the template of his own graphic novel, paces out the revelations and keeps the film entertaining regardless. Mostly it’s successful as a throwaway sci-fi action flick, but the handsome visuals do set it apart somewhat. Here’s where Kosinski cribs from Kubrick, and from Scott, in the latter case specifically from Prometheus: He crafts images striking in their scope but rich in detail; big, beautiful shots of massive spacecraft; vast cities emptied of people and reclaimed by plant life; and the after-effects of catastrophic geological changes. The aliens, in their opening salvo, destroyed the moon, which caused major shifts in the tides that essentially remade the globe. That too provides Oblivion’s most arresting image, one it returns to quite often: the shattered pieces of the moon hanging in the night sky.

There’s not much of an emotional core to the movie, but it’s damn fine to look at, and the action is crisp and effective. Cruise is Cruise, of course-- he so rarely ventures outside the confines of his self-imposed typecasting that at this point all of his films feel like a demo reel for just what Tom Cruise is capable of. (Running! Jumping! Intense faces! No aging!) But he has honed his Tom Cruiseness to prime mechanical efficiency, and it’s nicely displayed here. That particular quality of his could have been put to good, ironic use in service of the plot to add a layer of depth to the film, but alas, no go. In Tom Cruise movies there is no irony, there is only Tom Cruise.

Follow Bryan Miller on Twitter@bmillercomedy.

Curtain Call: Rend Lake College’s Flummoxed Fairytales

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Who: Rend Lake College Theater Department
What: Tracey Webb's Flummoxed fairytales (live theater)
Where:
When: 2013-05-02 - 2013-05-03
Thursday, May 2 and Friday, May 3, Rend Lake College Theatre will present Flummoxed Fairytales with
Jennifer “Jay” Bull
Video Comentary

Thursday, May 2 and Friday, May 3, Rend Lake College Theatre will present Flummoxed Fairytales with two performances each day at 10 a.m. and 1 p.m.

“We put it on every year for grade-school children,” director Tracey Webb told Nightlife. “It’s well-known fairytales with a strange twist to them. Flummoxed means to be confusing, to be all messed up. That is how these fairytales are. They’ve been twisted around a little bit, and they all have a moral story to them.”

The fairytales will be familiar to audience members, but each has its own unique spin.

“The fairytales that we cover are Cinderella, Rapunzel, Snow White, The Frog Prince, and we even have Little Red Riding Hood in there, so we cover five well-known fairytales and we put our own twist on them,” Webb said. “It is an original play. I wrote it myself, and we’ve been putting it on for the last ten years and it’s been going really well.”

Webb changes Flummoxed Fairytales every year.

“This year we added three more cavemen. It is not Snow White and the Seven Dwarves, it is Snow White and the Eight Cavemen,” Webb said. “We have narrators and they comment on the play: ‘What is wrong with these fairytales? Why are they all messed up?’ Little kids like it because there’s a scene where we break down the fourth wall in Rapunzel and the witch talks directly to the audience: ‘How did Rapunzel get out of her tower?’ So we have a lot of fun with it and the kids like it, too.”

Webb considers the free play a gift to the community, as do the actors who take part in the production. Grade schools bring children to the play each year to enjoy the hour-long show.

“We don’t charge the grade schools anything,” Webb said. “Our thespian club, they’re the ones that act it, and they are actually doing it out of the goodness of their own heart. We are offering it for the first time this spring as a class because there are a lot of hours involved, so they should at least get some credit out of it.”

Even though grade schools bring children to the performances, Flummoxed Fairytales is open to the public and works as a learning experience for children interested in theater.

“We still have some seats available if anyone wants to come and see it,” Webb said. “They just need to clear it with me so we don’t go over our seat capacity because we have busloads of children coming in. It is a lot of fun, and we love doing it. We play some music after it, and we do [questions and answers] and the kids get to ask the actors how they pulled off certain things, so they learn about theater. They don’t just get entertained, but they also learn about putting on a production. It is not just entertaining, it is educational.”

For reservations, contact Webb at (618) 437-5321 ext. 1295 or <webbt@rlc.edu>.

who: Rend Lake College Theater Department

what: Flummoxed fairytales (live theater)

where: Rend Lake College Theatre

when: Thursday, May 2 and Friday, May 3

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